Reflexión sobre cine y filosofía: una mirada de la filmografía cantinflesca desde Friedrich Nietzsche
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Date
Authors
Subject
Vitalistic philosophy
film work
adversity
vital praxis
subject of action
transformation
Filosofía vitalista
Cantinflas
adversidad
praxis vital
sujeto de acción
transformación
film work
adversity
vital praxis
subject of action
transformation
Filosofía vitalista
Cantinflas
adversidad
praxis vital
sujeto de acción
transformación
Language:
Journal Title
Journal ISSN
Volume Title
Publisher
Instituto Tecnológico de Santo Domingo (INTEC)
El estudio de la obra cinematográfica de Mario Moreno, más conocido como Cantinflas, ha sido escasamente abordado desde una concepción filosófica, lo cual conlleva un esfuerzo hermenéutico que permita entablar una correlación conceptual entre los aspectos fundamentales de la filosofía vitalista de Friedrich Nietzsche y algunos filmes de Cantinflas, en aras de abordar la concepción de adversidad y la confrontación de esta por parte del ser humano, de acuerdo con las visiones desde las distintas ópticas que se consultan. Por tanto, el objetivo del estudio de la investigación fue realizar un análisis filosófico de la obra fílmica de Cantinflas con el fin de reconocer los vestigios que encaminan al ser humano hacia una praxis vital, desde una perspectiva nietzscheana. Para tal fin, se utilizó el diseño metodológico revisión documental, analizando textos de Nietzsche, como también realizando una hermenéutica desde la estética de la filmografía de Cantinflas.
The study of the cinematographic work of Mario Moreno, better known as Cantinflas, has been scarcely approached from a philosophical conception, which entails a hermeneutical effort that allows establishing a conceptual correlation between the fundamental aspects of the vitalist philosophy of Friedrich Nietzsche and some Cantinflas films in order to address the conception of adversity and its confrontation by the human being, according to the views from the different perspectives that are consulted. Therefore, the objective of the study of the research was to carry out a philosophical analysis of Cantinflas’s film work in order to recognize the vestiges that lead the human being towards a vital praxis, from a Nietzschean perspective. For this purpose, the documentary review methodological design was used, analyzing texts by Nietzsche, as well as carrying out a hermeneutic from the aesthetics of Cantinflas’s filmography.
The study of the cinematographic work of Mario Moreno, better known as Cantinflas, has been scarcely approached from a philosophical conception, which entails a hermeneutical effort that allows establishing a conceptual correlation between the fundamental aspects of the vitalist philosophy of Friedrich Nietzsche and some Cantinflas films in order to address the conception of adversity and its confrontation by the human being, according to the views from the different perspectives that are consulted. Therefore, the objective of the study of the research was to carry out a philosophical analysis of Cantinflas’s film work in order to recognize the vestiges that lead the human being towards a vital praxis, from a Nietzschean perspective. For this purpose, the documentary review methodological design was used, analyzing texts by Nietzsche, as well as carrying out a hermeneutic from the aesthetics of Cantinflas’s filmography.
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Type
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artículos evaluados por pares
info:eu-repo/semantics/publishedVersion
Artículos evaluados por pares
Source
Science and Society; Vol. 46 No. 3 (2021): Science and Society; 47-57
Ciencia y Sociedad; Vol. 46 Núm. 3 (2021): Ciencia y Sociedad; 47-57
2613-8751
0378-7680
10.22206/cys.2021.v46i3
Ciencia y Sociedad; Vol. 46 Núm. 3 (2021): Ciencia y Sociedad; 47-57
2613-8751
0378-7680
10.22206/cys.2021.v46i3