Elementos del mito sacralizado en el largometraje Andrea (2005) del cineasta dominicano Rogert Bencosme
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Authors
Subject
sacred myths
discourse analysi
horror movies
Dominican Republic
mito sacralizado
análisis del discurso
cine de terror
República Dominicana
discourse analysi
horror movies
Dominican Republic
mito sacralizado
análisis del discurso
cine de terror
República Dominicana
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Journal Title
Journal ISSN
Volume Title
Publisher
Instituto Tecnológico de Santo Domingo (INTEC)
El presente artículo contiene un análisis de la película Andrea (2005) del cineasta dominicano Rogert Bencosme. La investigación tuvo como objetivo analizar los elementos mitológicos representados en el filme. El marco teórico se ciñe rigurosamente al concepto propuesto por el mitólogo rumano Mircea Eliade, en su libro Mito y Realidad (1991). La metodología cualitativa aplicada ha sido triangular, compuesta por dos grupos controles de antropólogos, sociólogos y estudiantes de cine. Los resultados muestran el modo en que los elementos mitológicos observados constituyen signos de desarrollo de la trama. Se concluye proponiendo el estudio del cine de terror como estrategia para comprender la función de los mitos en contextos sociales y cinematográficos.
This article contains an analysis of the film Andrea (2005) by Dominican filmmaker Rogert Bencosme. The research aimed to analyze the mythological elements represented in the film. The theoretical framework strictly adheres to the concept proposed by the Romanian mythologist Mircea Eliade, in his book Myth and Reality (1991). The quali-tative methodology applied has been triangular, compo-sed of two control groups of anthropologists, sociologists and film students. The results show how the mythological elements observed constitute signs of plot development. It concludes by proposing the study of horror cinema as a strategy to understand the role of myths in social and cinematic contexts.
This article contains an analysis of the film Andrea (2005) by Dominican filmmaker Rogert Bencosme. The research aimed to analyze the mythological elements represented in the film. The theoretical framework strictly adheres to the concept proposed by the Romanian mythologist Mircea Eliade, in his book Myth and Reality (1991). The quali-tative methodology applied has been triangular, compo-sed of two control groups of anthropologists, sociologists and film students. The results show how the mythological elements observed constitute signs of plot development. It concludes by proposing the study of horror cinema as a strategy to understand the role of myths in social and cinematic contexts.
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info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/publishedVersion
Source
Science and Society; Vol. 45 No. 1 (2020): Science and Society; 63-72
Ciencia y Sociedad; Vol. 45 Núm. 1 (2020): Ciencia y Sociedad; 63-72
2613-8751
0378-7680
10.22206/cys.2020.v45i1
Ciencia y Sociedad; Vol. 45 Núm. 1 (2020): Ciencia y Sociedad; 63-72
2613-8751
0378-7680
10.22206/cys.2020.v45i1